This Land is Our Land

The working class has always created its own art, of and for itself. America, like its international counterparts, has a long tradition of grassroots working class art and one of the most well known purveyors of this tradition is Woody Guthrie. Most Americans have an image of Guthrie - the ragged, Dust Bowl refugee Oakie hopping trains with his guitar. In schools across the country and spanning several generations, children have sung "This Land Is Your Land" and celebrated the hugeness and beauty of America.This_Machine_Kills_fascists.jpg Though this song is often seen as a patriotic anthem, Woody saw the song very differently.

 

 

Guthrie wrote "This Land Is Your Land" in 1940 as a response to Irving Berlin's "God Bless America." Woody was so tired of hearing Berlin's paean to American exceptionalism, the Kate Smith version of which was a huge hit at the time, that he wrote a very different kind of American song. Though the sanitized version of “This Land Is Your Land” sung by school children omits them, Guthrie originally wrote several verses that were critical of private property and sympathetic to communism.

One of these lesser-sung verses goes:

There was a big high wall there that tried to stop me;
Sign was painted, it said private property;
But on the back side it didn't say nothing;
This land was made for you and me.

Guthrie had lived through the brutalities of the Dust Bowl and the Great Depression and had little sympathy with the propertarian pretensions of the American obsession with land ownership. Guthrie had seen whole families displaced by bankers’ greed and government indifference. He recognized capitalism as a system that did not and never would work for the working class. Guthrie wrote of the "big high wall" that tried to stop working people from reaching security by labeling all that it enclosed as "private property." But, as Guthrie points out in a tongue-in-cheek way, “the back side didn't say nothing" and the land enclosed by the wall was in fact "made for you and me."

This type of rhetoric goes precisely against the grain of the usual nativism that is conjured up by the near-religious tone of most patriotic songs about America. Guthrie rejected the inherent inequality of capitalism, private property, and nationalism in favor of a communistic image of a land without walls that is "made for you and me." The juxtaposition of the private property sign and the final line is both salient and intentional: property is not an individualistic thing but is rather a resource to be held in common for the common good.

In a second, less-sung verse, Guthrie sings:

In the squares of the city, in the shadow of a steeple;
By the relief office, I'd seen my people.
As they stood there hungry, I stood there asking,
Is this land made for you and me?

Rather than using his words to focus on the usual vague notions of national beauty or an ill-defined freedom, Woody chose to carry the banner of the poor and the hungry. When he asks, "is this land made for you and me?" Guthrie is questioning the very idea of American liberty, from the founding of the nation up to the point when he put ink on paper. We can take this critique right up into our own time. Is a land that heaps wealth and power on the few while letting the many struggle and sometimes starve actually made for and by us as we have heard so many times before? Or, is this a land built by capitalism for capitalism, with the workers left out in the cold?

Woody Guthrie was a fellow traveler with the American Communist Party and knew both intellectually and first hand that it was the latter representation of America that held true. No amount of singing and careful propaganda could erase the suffering and inequality of American capitalism. For Guthrie, real patriotism meant celebrating workers and their communities. This version of patriotism holds as its highest ideal not capitalism and acquisition of property but the building and support of a real, unified national community. This community would reject the greed of the few in favor of the needs of the many. With a community like that, we could all truthfully sing “this land was made for you and me.”

Ryan Briles is a writer, activist,and worker currently living in New York City.

Grassroots Fundraising: Paying for the Revolution (9pm Eastern)

June 23, 2017
· 46 rsvps

Are you new to socialist organizing? Or after many years do you still struggle, raising money from members when you need it but without a steady flow of income or budget to plan ahead? Are you afraid to tackle fundraising because it seems so daunting or you are uncomfortable asking people for money?

In this webinar, you will learn why fundraising is organizing, and how to do it – face to face, through fundraising events, and other ideas.

Join us for our latest organizing training for democratic socialist activists: DSA’s (Virtual) Little Red Schoolhouse.

Instructor:

  • Steve Max, DSA Vice Chair and one of the founders of the legendary community organizing school, The Midwest Academy

Training Details:

  1. Workshops are free for any DSA member in good standing.
  2. You need a computer with good internet access.
  3. Your computer must have preferably headphones or else speakers; you can speak thru a mic or use chat to "speak".
  4. If you have questions, contact Theresa Alt talt@igc.org.
  5. If you have very technical questions, contact Tony Schmitt schmittaj@gmail.com 608-355-6568.
  6. Participation requires that you register at least 21 hours in advance -- by midnight Thursday for Friday's webinar.

NOTE: This training is scheduled for 9:00pm Eastern Time (8pm Central, 7pm Mountain, 6pm Pacific, 5 pm Alaska, 3 pm Hawaii).

Introduction to Socialist Feminism Call

June 27, 2017
· 68 rsvps

Join DSA activist Judith Gardiner to explore “socialist feminism.” How does it differ from other forms of feminism? How and when did it develop? What does it mean for our activism? 9 pm ET, 8 pm CT, 7 pm MT, 6 pm PT.

Data Security for DSA Members

June 27, 2017

Ack! I googled myself and didn't like what I found!

WHAT: A DSA Webinar about "Doxing"
WHEN: 9PM EST, 6PM PST

We're proud of our organizing, and chapter work is transparent for both political and practical reasons. However, there are basic precautions you can take in this time of rapid DSA growth to protect your privacy.

Key Wiki is a website that meticulously documents DSA activity and posts it for the world to see. If you're an active DSA member, likely your name is on their website. This is an example of "doxing".

As DSA becomes larger, more visible, and more powerful, we might expect that more websites like this will pop up, and more of our members' information might be posted publicly on the web.

Join a live webinar on Tuesday, June 27 with data security expert Alison Macrina, to learn:

  1. what is doxing? with examples and ways to prevent it
  2. how to keep your passwords strong and your data secure
  3. where to find your personal info on the internet and how to get it removed
  4. social media best practices for DSA organizers
  5. what to do if you've already been doxed

Zoom Link: https://zoom.us/j/9173276528

Call-in Info: +1 408 638 0968
Meeting ID: 917 327 6528

Film Discussion: Pride

September 10, 2017
· 11 rsvps

Join DSA members Eric Brasure and Brendan Hamill to discuss the British film Pride (2014). It’s 1984, British coal miners are on strike, and a group of gays and lesbians in London bring the queer community together to support the miners in their fight. Based on the true story of Lesbians and Gays Support the Miners. The film is available for rent on YouTube, Amazon, and iTunes. 8 ET/7 CT/6 MT/5 PT.

Film Discussion: Union Maids

September 24, 2017
· 8 rsvps

 

Join DSA member and labor historian Susan Hirsch in discussing Union Maids (1976). Nominated for an Academy Award, this documentary follows three Chicago labor organizers (Kate Hyndman, Stella Nowicki, and Sylvia Woods) active beginning in the 1930s. The filmmakers were members of the New American Movement (a precursor of DSA), and the late Vicki Starr (aka Stella Nowicki) was a longtime member of Chicago DSA and the Chicago Women's Liberation Union. It’s available free on YouTube, though sound quality is poor. 8ET/7CT/6MT/5PT.