Not Waiting for Lefties to Engage the Arts

On the April 15 national day of action for Fight for $15, members of New York City’s DSA chapter went to the rally and march, then headed down to The Barrow Group Theater in Midtown for a staged reading of Clifford Odets’s Waiting for Lefty and a panel discussion on why unions matter.

The first performance of this 1935 play is a legend in the American theater, a testament to the power of art. Performed for a one-night benefit for New Theatre Magazine, Lefty was loosely based on the New York City taxi driver strike of the previous year. Odets used the story as a springboard to declare open war on capitalism in the midst of one of the most difficult economic periods in U.S. history and to uncover an unspoken rage just below the surface, a sense that the lives of working people were overly determined by their dependence on a system bent on keeping them in their place. It was performed by The Group Theatre—itself a somewhat radical collective of artists who lived together, made work together, and developed what became known as an “American acting technique.” Contemporary accounts describe the play seeming to unleash something dramatic, communal, and undeniable. By the end of the performance, the 1,400 audience members were stomping and raising their fists to “Strike!” with such vigor that the performers worried the balcony would fall down. It would soon become a much-produced and popular play in small theaters and union halls across the country.

 

Following the April 15 reading, which packed the 100-seat theater, the panel discussion opened up a conversation on the role of unions today. Maria Svart, DSA national director, gave a brief overview of what unions are and how they work; theater director Mary Robinson expanded on the significance of Waiting for Lefty in today’s theater landscape; and Local 1180 Communication Workers of America, AFL-CIO president Arthur Cheliotes gave an impassioned plea for solidarity as unions fight for support and legitimacy in the face of draconian state and federal laws.

The night brought together theater artists, many of whom were unfamiliar with left-wing politics or unions, and labor activists, many of whom were unfamiliar with the role that art has played and can play in political discourse and action. Waiting for Lefty’s legacy is of performances in auditoriums, union halls, theaters, and civic spaces, making collective action seem possible through honest and direct conversation with the people who live those struggles but believe that they are alone in them.

The power of radical art lies in breaking down that perception of solitude and highlighting shared experiences, in imbuing that discussion with a sense of both pathos and possibility. The time is ripe for a renewal of that sense, and a radical play that is still relevant after 80 years challenges us to imagine the possibilities for collective action that exist today.

The play is designed to be produced with a minimal set and maximum participation. It offers DSA locals a way to make new connections and reach new groups. You can ask a community theater or campus theater group for professional help, if you need it. To produce your own reading of Waiting for Lefty, you’ll need (1) actors to interpret and play the parts, (2) a director to stage the reading and guide the actors, (3) a producer to secure the rights (email george.laneasst@caa.com with an explanation of the size of the venue and scale of production), (4) rehearsal space, (5) a room that can accommodate your audience, (6) insurance if your room is not otherwise insured, (7) provocative speakers if you would like to host a panel discussion, (8) a visual artist to design publicity, (9) refreshments, and (10) plenty of time to do publicity and turnout.

Paul Bedard (paulhbedard.com) is a founder and artistic director of Theater in Asylum and a Drama League Directing Fellow.

Alexis Roblan’s plays have been produced and developed in the United States, the United Kingdom, and Australia. She is a member of New Perspectives Theatre Company’s Women’s Work Project.

This article originally appeared in the summer 2015 issue of the Democratic Left magazine.

 

Individually signed posts do not necessarily reflect the views of DSA as an organization or its leadership. Democratic Left blog post submission guidelines can be found here.

 

Grassroots Fundraising: Paying for the Revolution (9pm Eastern)

June 23, 2017
· 46 rsvps

Are you new to socialist organizing? Or after many years do you still struggle, raising money from members when you need it but without a steady flow of income or budget to plan ahead? Are you afraid to tackle fundraising because it seems so daunting or you are uncomfortable asking people for money?

In this webinar, you will learn why fundraising is organizing, and how to do it – face to face, through fundraising events, and other ideas.

Join us for our latest organizing training for democratic socialist activists: DSA’s (Virtual) Little Red Schoolhouse.

Instructor:

  • Steve Max, DSA Vice Chair and one of the founders of the legendary community organizing school, The Midwest Academy

Training Details:

  1. Workshops are free for any DSA member in good standing.
  2. You need a computer with good internet access.
  3. Your computer must have preferably headphones or else speakers; you can speak thru a mic or use chat to "speak".
  4. If you have questions, contact Theresa Alt talt@igc.org.
  5. If you have very technical questions, contact Tony Schmitt schmittaj@gmail.com 608-355-6568.
  6. Participation requires that you register at least 21 hours in advance -- by midnight Thursday for Friday's webinar.

NOTE: This training is scheduled for 9:00pm Eastern Time (8pm Central, 7pm Mountain, 6pm Pacific, 5 pm Alaska, 3 pm Hawaii).

Data Security for DSA Members

June 27, 2017

Ack! I googled myself and didn't like what I found!

WHAT: A DSA Webinar about "Doxing"
WHEN: 9PM EST, 6PM PST

We're proud of our organizing, and chapter work is transparent for both political and practical reasons. However, there are basic precautions you can take in this time of rapid DSA growth to protect your privacy.

Key Wiki is a website that meticulously documents DSA activity and posts it for the world to see. If you're an active DSA member, likely your name is on their website. This is an example of "doxing".

As DSA becomes larger, more visible, and more powerful, we might expect that more websites like this will pop up, and more of our members' information might be posted publicly on the web.

Join a live webinar on Tuesday, June 27 with data security expert Alison Macrina, to learn:

  1. what is doxing? with examples and ways to prevent it
  2. how to keep your passwords strong and your data secure
  3. where to find your personal info on the internet and how to get it removed
  4. social media best practices for DSA organizers
  5. what to do if you've already been doxed

Zoom Link: https://zoom.us/j/9173276528

Call-in Info: +1 408 638 0968
Meeting ID: 917 327 6528

Film Discussion: Pride

September 10, 2017
· 11 rsvps

Join DSA members Eric Brasure and Brendan Hamill to discuss the British film Pride (2014). It’s 1984, British coal miners are on strike, and a group of gays and lesbians in London bring the queer community together to support the miners in their fight. Based on the true story of Lesbians and Gays Support the Miners. The film is available for rent on YouTube, Amazon, and iTunes. 8 ET/7 CT/6 MT/5 PT.

Film Discussion: Union Maids

September 24, 2017
· 8 rsvps

 

Join DSA member and labor historian Susan Hirsch in discussing Union Maids (1976). Nominated for an Academy Award, this documentary follows three Chicago labor organizers (Kate Hyndman, Stella Nowicki, and Sylvia Woods) active beginning in the 1930s. The filmmakers were members of the New American Movement (a precursor of DSA), and the late Vicki Starr (aka Stella Nowicki) was a longtime member of Chicago DSA and the Chicago Women's Liberation Union. It’s available free on YouTube, though sound quality is poor. 8ET/7CT/6MT/5PT.