Elections in Popular Culture

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The Campaign and The Manchurian Candidate are among the films that can help us understand the comic-but-grotesque character of American politics.

By Neal Meyer, et. al.

From the fictional portrayal of Huey Long in All the King’s Men to Election with Reese Witherspoon or Bulworth with Warren Beatty or The Candidate with Robert Redford, U.S. culture has plenty to say about elections. Here are some favorites from DSA activists:

The Campaign is the funniest satire of our recent electoral politics I’ve seen outside of Saturday Night Live. Two candidates compete for a congressional seat: a Democrat going for his fifth term (Will Ferrell) and a Republican naif (Zach Galifianakis), but you soon forget the party affiliations, as both speak in the same patriotic clichés and sling outrageous personal attacks at each other with not one mention of any actual policy issue except, briefly, “jobs.” The evil Moch (!) brothers manipulate both candidates and—look for it—supply the voting machines. Well acted.Barbara Joye  

The Manchurian Candidate A still-enthralling cold-war-era melodrama, it centers on a plot by combined Soviet-Chinese Secret Service operatives to influence the upcoming presidential selection process by “brainwashing” a returning soldier into an assassin. From the 1959 book by Richard Condon, the film stars Frank Sinatra, Lawrence Harvey, Angela Lansbury, and Janet Leigh. Complete with such staples as military police derring-do, Asian conspirators, a stunning Lansbury (Newsweek in 2007 named her character one of the ten greatest villains in film), and a national convention at Madison Square Garden, the production is masterly, better than its 2004 remake featuring Denzel Washington. —Michael Hirsch

To understand U.S. politics you need to watch three television shows: (1) The West Wing to understand the idealistic aspirations of D.C.’s army of staffers. They imagine they are C.J. Cregg or Sam Seaborn, running between cubicles and changing the world; (2) House of Cards to understand the Machiavellian character of our political leaders. The ruthless rise of Kevin Spacey’s character, Frank Underwood, is a reflection of the career trajectories of Dick Cheney and Bill Clinton; and (3) the most important, Veep. U.S. politics is defined by its clownishness. Julia Louis-Dreyfus’s character is a carbon copy of Joe Biden.

What is truly radical about Bernie Sanders? He is the first candidate to run for president who isn’t a character out of one of these three shows.

This article originally appeared in the winter 2015 issue of the Democratic Left magazine.

Individually signed posts do not necessarily reflect the views of DSA as an organization or its leadership. Democratic Left blog post submission guidelines can be found here.

 

 

LGBTQ Conference Call

February 20, 2017
· 45 rsvps

DSA is in the process of forming an LGBTQ Working Group. This call will cover a discussion of possible activities for the group, its proposed structure, assigning tasks, and reports on the revision of DSA's LGBT statement and on possible political education activities. 9 pm ET/8 pm CT/7 pm MT/6 pm PT.

 

DSA New Member Orientation Call

February 22, 2017
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You've joined DSA - Great. Now register for this New Member Orientation call and find out more about our politics and our vision.  And, most importantly, how you can become involved.  8 pm ET; 7 pm CT; 6pm MT; 5 pm PT.  

What Is DSA? Training Call

March 03, 2017
· 28 rsvps

If you're a new DSAer, have been on a new member call, but still have questions about DSA's core values/strategy/core work and how to express these ideas in an accessible way to the media, as well as to friends, family and others who might be interested in joining DSA, this call is for you. 

We will talk through the basics of DSA's political orientation and strategy for moving toward democratic socialism, and also have call participants practice discussing these issues with each other. By the end of the call you should feel much more comfortable thinking about and expressing what DSA does and what makes our organization/strategy unique. 8 pm ET; 7 pm CT; 6 pm MT; 5 pm PT. 70 minutes.

Feminist Working Group

March 07, 2017
· 15 rsvps

People of all genders are welcome to join this call to discuss DSA's work on women's and LGBTQ issues, especially in light of the new political reality that we face after the elections.  9 pm ET; 8 pm CT; 7 pm MT; 6 pm PT.

LGBT Activism: A Brief History with Thoughts about the Future

April 01, 2017
· 2 rsvps

Historian John D'Emilio's presentation will do 3 things: Provide a brief explanation of how sexual and gender identities have emerged; provide an overview of the progression of LGBT activism since its origins in the 1950s, highlighting key moments of change; and, finally, suggest what issues, from a democratic socialist perspective, deserve prioritizing now. 1 pm ET; 12 pm CT; 11 am MT; 10 am PT.

  1. This webinar is free for any DSA member in good standing.
  2. You need a computer with good internet access.
  3. Your computer must have headphones (preferred) or speakers; you can speak thru a mic or use chat to "speak".
  4. If you have questions, contact Peg Strobel, peg.strobel@sbcglobal.net.
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Film Discussion: Documentaries of People's History in Texas

April 02, 2017
· 20 rsvps

Join DSA members Glenn Scott and Richard Croxdale to discuss videos produced by People’s History in Texas (PHIT), a project that brings to life the stories of ordinary people in significant socio-political movements in Texas. They will discuss The Rag, their newest documentary, which tells the story of an influential underground paper based in Austin, Texas, from 1966-77. Click here to view Part I (the early years as an all-volunteer paper covering the student, anti-Vietnam and Civil Rights movements), Part II (the impact of Women’s Liberation on the paper) and Part III (building community: covering local politics, nukes, co-ops, feminist institutions). But also check out the video on the Stand-Ins about a group of university students who led a movement to desegregate Austin’s movie theaters in 1961. 8 ET/7 CT/6 MT/5 PT.